Framing the Dialogue

Invisible Man

“am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids—and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination—indeed, everything and anything except me.”

I am working to read some classic novels.  In all honesty, I thought Invisible Man was going to be a syfy type of novel.  I was pretty far off of the mark.  Really off the mark!  This is the story of struggle, a black man’s struggles as he moves from the Jim Crowe south to the more open, free north.  The transition is shocking to the invisible man.

“For the first time, as I swung along the streets, I thought consciously of how I had conducted myself at home. I hadn’t worried too much about whites as people.  Some were friendly and some were not, and you tried not to offend either. But here they all seemed impersonal; and yet when most impersonal they startled me by being polite, by begging my pardon after brushing against me in a crowd. Still I felt that even when they were polite they hardly saw me, that they would have begged the pardon of Jack the Bear, never glancing his way if the bear happened to be walking along minding his business.  It was confusing. I did not know if it was desirable or undesirable …”

I cannot claim to know much about lives of blacks once they were “free”.  But I’ve read enough to know that free wasn’t all that free back then.

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